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Saturday, Sept. 11, 2010 2:25 p.m.

saw this from an artist's blog:

Manila

It wasn't just tragic, it was a textbook Baudrillard moment. When reality has out done cinema by a factor of ten, what could possibly shock us? What apocalyptic vision do we crave as a civilization? I find myself wondering: are news stories reflections and reportages, or our projection of what we really want the world to become? Here is war and terror, switch channel and we see near-apocalyptic visions of flood and landslide. If the images we see on screens big and small are indications of our collective psyche, we probably do want the world to end - spectacularly and with live telecast, so that we can savor our own demise.

人若真有自虐傾向的話,我們不斷重覆再重覆的賑災(尤其是以大型綜合節目的形式)或悼念,某程度上也許是要將別人的苦加諸自己身上,並借助氾濫於媒體的煽情聲影文字,令自己相信陌生人的痛就是自己的痛,令我們以為真的有感同身受這回事。而我卻不得不想像,這樣煽動自己,最終不免是為了肯定個人的存在。

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現在我才明白,甚麼是head over feet。在腦海中徘徊的,是Amelie最後打開門,見到Nino的一幕。在那四月的天橋下,遠望著那身影,我開始懷疑這樣的劇情可能是真的,而到了幾個月後的現在,我終於肯定了。

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